分类： hanzhen

　　Li Jinkun is a leading figure in Guangdong’s literary and artistic circles and Lingnan painting circles. With deep thinking and a strong sense of responsibility, he practically leads Guangdong’s fine arts to a new milestone in the new era.

Respond to the changes of the times with one’s own creation

　　Face the contemporary era, learn from the past and learn from the present.

　　Li Jinkun, who lived and grew up in Lingnan, inherited the important idea of "eclecticism between China and the West, blending the ancient and the modern" put forward by Lingnan School of Painting in his artistic creation. Facing the 21st century, China is gradually moving towards the center of the world stage, and the significance of China culture is attracting more and more attention from the world, and the times call for a new cultural attitude, how to deeply think about China culture? What is the position of China’s fine arts in the world? How can Guangdong fine arts start again under the pattern of Greater Bay Area? And responded to the changes of the times with his own creation.

　　△ Li Jinkun’s Cangshan is like the sea and the setting sun is like blood. In 2019, 338cm×1082cm paper ink was heavily colored.

　　Li Jinkun believes that Guangdong fine arts need to put forward their own opinions in this great era, and his answer is "to face the present, establish China and study the west, and learn from the past". The so-called "face to face with the contemporary", explained by Li Jinkun, is to look at the world art with a head-up attitude and the role of China art in the world pattern. You don’t need to look up to others to show your humility, and you shouldn’t look down on the world and think highly of yourself. "Establishing China and Studying the West" is a promotion of the "compromise" of Lingnan School of Painting. It is no longer necessary to find a balance point between China and the West like the predecessors, but to study and learn from Western art directly from the standpoint of China. China art has become an important style in the world art with its own independent system. "Learning from the past" emphasizes the role of China’s art history in the current art development. The long history of art can be used as a scale for the development of art at present. It reveals the milestone that China art has gone through in history, and how to use it as a supporting point to develop the art of the new era.

　　"Re-compromise" and "Post-Lingnan"

　　Naturally, Li Jinkun also integrated his thinking on the road of art development into his own creation. He went deep into the roots and sources of ancient painting, studied from his predecessors and carved traditional techniques. Copy ancient painting classics, such as Fan Kuan’s Journey to Xishan Mountain in the Northern Song Dynasty. This process makes Li Jinkun think about the proper meaning of his Chinese painting while groping for the traces of his predecessors.

　　△ "Song of the Yangtze River" 300×800cm 2021 Jinkun’s creative team in 2021 — — Li Jinkun, Lin Yangjie, Murphy, Tao Huang

　　"When I was studying in the late 1980s, I found that Lingnan School learned about the West through Japan at that time, but only borrowed from the technology of Japanese painting. With the advent of reform and opening up, the road to development of Lingnan painting school must be more open, and we should explore it in a new pattern. " Therefore, in the early 1990s, Li Jinkun put forward the practice of "re-compromise", which was formally manifested as a series of colorful explorations. "The Lingnan School of Painting took the art of the Song Dynasty from the tradition at that time. At the end of the Qing Dynasty and the beginning of the Republic of China, the whole painting world was filled with retro atmosphere, as well as Ming and Qing painting ‘ Exquisite ’ But the picture is weak. The artists of Lingnan School of Painting believe that the Southern Song painting is large and powerful, which can wash away the delicate style of painting, so they follow its example. In the process of learning traditional techniques, I further set the object of imitation at ‘ Shen Xiong and Bo Da in Northern Song Dynasty ’ Go. The study of western art mainly focuses on the fine arts after the Renaissance and since the 20th century, and focuses on the great people who have trans-generational significance to the West, such as Rembrandt, Delacroix, Cezanne and Van Gogh. Thus, the ‘ Re-compromise ’ Take the law. "

　　Guided by the belief of innovation and change, Li Jinkun also participated in putting forward the concept of "post-Lingnan". Lingnan painting school had developed for nearly a hundred years at that time, and these young students who grew up in the tradition of Lingnan painting school were not satisfied with just inheriting the styles and techniques of Lingnan painting. They want to stand on the shoulders of giants and see how the world’s fine arts create more possibilities in generate. Li Jinkun said: "At that time, we naively proposed that we should make a broader exploration than Lingnan School. ‘ Houlingnan ’ The concept of "the" came into being. The so-called ‘ Houlingnan ’ It is a cultural proposition, and it also pushes the Lingnan artistic spirit of innovation and change to infinite possibilities. "

　　After this idea was put forward, it attracted a lot of attention and doubts from the industry. However, after nearly 30 or 40 years of development and evolution, this sudden cultural phenomenon left a notch in history. "Post-Lingnan" has become an important artistic phenomenon in the development of modern and contemporary Chinese painting in Guangdong, and it is an important topic in the cultural research project of the 30 years of reform and opening up sponsored by Guangdong Federation of Literary and Art Circles, which has been repeatedly discussed and planned for exhibitions. Li Jinkun said with a smile, "These young boys who were full of cultural ideals in those days have now become the backbone of Guangdong’s innovative creation of Chinese paintings. The exploration of that year was effective. I believe that as these people gradually explore achievements in their respective fields, ‘ Houlingnan ’ The concept will become an interesting historical phenomenon in the development of Guangdong Lingnan Painting School. "

　　Present and future works

　　Li Jinkun wants to re-paint some of his previous works into 10-20-meter paintings, highlighting a magnificent atmosphere. He tried to make those things that were not very distinctive in Guangdong paintings become distinctive. "This style of exploration has given me an unprecedented and brand-new visual experience. It will be very interesting to do such artistic exploration in Guangdong. Although it won’t be a great thing, I have reason to believe that it is still a very unique style. I think that in the history of the development of art, there will never be a place for imitators. "

　　Li Jinkun’s works seem to have Japanese "ukiyo-e" painting style, but in fact they contain the spirit of painting in the Song Dynasty. By comparing them with China’s classical paintings, we can identify the most authentic essence of China’s paintings. Any part carried out can be confirmed by the characteristics of brushwork and technology of traditional Song painting. This is also a way for Li Jinkun to return to tradition.

　　△ In a small painting with a size of only 18 by 25 cm, Li Jinkun drew more than 200 characters.

　　In a manuscript painting of "Cangshan is like the sea and the setting sun is like blood", which is 18 cm by 25 cm, Li Jinkun actually painted more than 200 characters. In the process of challenging himself, he also felt quite interesting. On a small canvas, we need to consider many factors, such as space layout, brush stroke control and so on. Each person’s head may not even be the size of a sesame seed, but the dynamics and expressions of the characters are vivid: in depicting the war scenes, some people show their consternation when they are dying; Someone opened his mouth and shouted and screamed; Some people’s dumping has led to a chain reaction of more people’s postures … … In a small picture, such fine details can be presented, which is inseparable from the artist’s creative spirit of "wrestling with yourself".

Balance and development under multiple identities

　　For some time, Li Jinkun has combined many roles: president of Guangzhou Academy of Fine Arts, president of Guangdong Painting Academy, curator of Lingnan Painting School Memorial Hall, chairman of Guangdong Artists Association, chairman of Guangdong Federation of Literary and Art Circles, and vice chairman of China Artists Association … … For ordinary people, multiple identities will bring a lot of troubles, but Li Jinkun thinks that it also brings multiple spaces to try, so that he can find out how the industry can get through comprehensively and experience unprecedented professional development ideas.

　　△ One of the European sketches in 2015, the paper is heavily colored 93x62cm.

　　Guangdong Artists Association is a group organization that organizes artists in the province to create; Guangdong Painting Academy is a highland for creative research in Guangdong Province. Guangzhou Academy of Fine Arts, with more than 800 high-level teachers, is a gathering place for talent training; Guangdong Federation of Literary and Art Circles, with a variety of artistic cultures, plays a role as a link for cross-industry artistic exchanges; Lingnan painting school memorial hall is a highland for regional cultural research; Guangdong Art Museum is an internationally influential exhibition hall … … Li Jinkun’s professional skills meet with the development of fine arts. "Talent training, fine arts creation, systematic organization, exhibition and publicity are integrated, which has brought unprecedented convenience to my career in the past few years, and also created the integrity of this fine arts system that can not be ignored in Guangdong fine arts circles throughout the country. The professional resources and cooperation of Guangdong fine arts have enabled this province to make a steady transition to a big cultural province and a strong fine arts province. Only by mutual cooperation, mutual support and joint efforts with various academic institutions in Guangdong can the art work be done well. This is my most important experience and experience in recent years. It has condensed and displayed all my ideals and ambitions in the past few decades and completed a number of art projects with everyone. "

　　A landmark event in the performance of duties

　　In 2017, Li Jinkun participated in the "New Life — — Guangdong Fine Arts Centennial Exhibition "is the first large-scale exhibition held in Guangdong Province to systematically review and summarize the history of Guangdong fine arts in the past 100 years. In 2018, on the 40th anniversary of the reform and opening-up, China Artists Association commissioned Guangdong to hold an exhibition to turn political events in China people’s minds into art and record history with images. Guangdong Artists Association hosted the "Pearl River from the Spring Tide — — The National Exhibition of Fine Arts Celebrating the 40th Anniversary of Reform and Opening-up has attracted national attention. In 2019, during the 13th National Art Exhibition, Guangdong Artists Association undertook the task of hosting three exhibition areas in one province, which showed a good sense of social responsibility. At the same time, Guangdong was also the province with the largest number of people selected for the 13th National Art Exhibition. In 2021, in the centenary of the founding of the Party, the "Guangdong Art Exhibition Celebrating the Centenary of the Founding of the Communist Party of China (CPC)" was held to examine how Guangdong artists stood on the tide of the changing times and recorded the Communist Party of China (CPC)’s great achievements in the past century with their brushes, which also attracted the attention of the whole country. The History of the Party in Fine Arts Classics, sponsored by CCTV, contains 100 works, of which Guangdong accounts for 15. Glorious course — — In the exhibition of major historical sculptures celebrating the centenary of the founding of the Communist Party of China (CPC),Thirteen works were selected in Guangdong.

　　△ In 2015, the second European sketch was highlighted in 93x61cm.

　　As the president of Guangzhou Academy of Fine Arts, Li Jinkun is also very concerned about the affairs on campus. "I don’t even let go of a tree and a pile of grass on campus. From a group of students to a supermarket, there are concerns. In fact, I just want to improve the teaching experience of art education and art education in China, so that students can study in a pleasant atmosphere and teachers can find it interesting to work here. How should I perform my duties when I become the president of the Academy of Fine Arts? How to implement what you usually see and think? I really need to work with my colleagues. Fortunately, in the past few years, the work concepts of the leaders and colleagues around me have been very compatible, and there has been a history that I think is very harmonious and meaningful in the art world. "

　　In addition, with the support of the provincial party committee and the Foshan municipal government, the "Foshan Campus of Guangzhou Academy of Fine Arts" promoted by Li Jinkun and funded by the local government is in full swing. This 500-acre modern art education hall with billions of investments is not only a great effort devoted by Li Jinkun to the construction and development of his alma mater, but also his contribution to the cultural construction of Foshan, his hometown, and his ideal place to build a new highland of Guangdong’s art education. He believes that Foshan Campus will be built into a first-class innovative school in Greater Bay Area in terms of school-running concept, hardware and school-running conditions under the development planning of Guangdong-Hong Kong-Macao Greater Bay Area.

　　Self-development and social influence

　　Li Jinkun, who has many jobs, didn’t do more personal publicity and solo exhibition during this period, and didn’t participate in various commercial activities. He said, "This is my personal choice. I didn’t come to this work platform until I was older. I want to make the best use of this time, take on the responsibilities entrusted to me by the organization, and realize my artistic and social ambitions. Therefore, my approach is to ensure important creation and important research, and temporarily put aside things that are of great help to myself and have little impact on society. For example, holding a personal exhibition is very important for expanding your academic influence, but it has little impact on society. "

　　△ Six European Sketches in 2015: Silk Edition with Heavy Color 93x62cm

　　"In fact, the most difficult thing for a person is to make a choice between self and society. It is human nature to choose things that are beneficial to you, and it is natural and easy to implement. It is not normal and customary to give up personal interests. However, looking back, when you do something good for society, ‘ Ego ’ Won’t it also become ‘ Big ego ’ ? And the historical ‘ Big ego ’ , but also full of ‘ Ego ’ Wisdom and dedication. "

　　Teachers in Li Jinkun also hold the attitude of unifying individuals and society. Both Mr. Li Xiongcai and Mr. Guan Shanyue used the skills and abilities endowed by the society flexibly to draw pictures reflecting the times and grasping the development with artistic pens. Motivated by Si Qi, Li Jinkun also took the example set by his predecessors as a sign of progress. He said frankly: "The motive force for everyone to do things may not be so high. However, because there are sages in front of you, when you use them as a scale to follow suit, you will tell yourself to give up something very reluctantly. I think this kind of self-game is the most interesting. Sometimes, convince yourself to give up ‘ Personal needs are too difficult. Because of yourself ‘ A nod ’ I passed, but it still takes spiritual strength to turn this point of restraint into a linear life. "

　　Self and social service in art

　　Being an "artist" means finding a balance between self-individuality and serving the society. Artists have the need to make public and express their individuality, and fulfilling the requirements of society often needs to convey some common ideas. Li Jinkun pointed out the contradictory and unified core: "As an artist, you have to have depth and personality, but as a role serving the society, you can’t have too much personality. This is contradictory, but it needs to be unified. Just because you have artistic personality and talent, you will have the working strength endowed by art, be recognized by people, and have the opportunity to serve the society. In the process of service, one’s own personality has not disappeared, and it can be accepted by people. That is the level that a major should have. After artistic personality and artistic responsibility become working methods, artists can serve the society more professionally in terms of professional work and management ability by realizing the function of service through their own artistic level. "

　　△ The Nine Impressions of European Sketch in 2015: Heavy Colors in Silk Edition

Philosophical thinking on artistic life

　　Reality and dream

　　Li Jinkun likes to use a spare chapter engraved with the words "After a long separation, a famous mountain dreams". This means that although people live in real needs every day, it does not prevent them from returning to famous mountains and rivers ideologically and having a yearning for elegance and nature. "When I am busy and irritable, when I am confined to my work and give up a lot of freedom, I can still use my dreams to return to places I have been to, or places I have never been to and exist in my imagination. I can’t go, my dreams can always come. Once there is such a sustenance, people’s spiritual world will immediately become clear and calm. In reality, there are naturally things that go wrong, so how can it be better than the dream situation? If you have a dream, you can reach the place I think is the best by your dream. " On the contrary, once people’s ambitions are displayed, everything can pin their dreams. Li Jinkun’s carefully decorated studio is surrounded by flowing water. "Many people don’t understand, how can I turn such a big space into a waterscape? I have created such an environment, which shows that I can put my dreams in my dreams and put them around me. " People don’t have dreams, they can only watch many beautiful feelings run away, but people have dreams and are always ready for them, and they can do what they want as soon as there is a gap.

　　△ Coloring of 310cm×600cm paper of "Millennium Knot" in 2003 (complete picture)

　　Everything is the best arrangement.

　　After decades of accumulation, Li Jinkun thinks it is the best arrangement in life to get to this point today. "If it weren’t for so many experiences and twists and turns, one would certainly not have accumulated the ability to solve related problems in a short time. For example, how far an exhibition is placed and what demands it responds to are accumulated through grassroots exercise, which is an experience that cannot be learned in any book. All the experiences of life, all the pains, all everything, are prepared for the best blooming moment. " Li Jinkun said with emotion, "From the perspective of my life, this accumulation time is too long, so I will cherish it and try my best." He wants to shine in his place, just like a flower in spring, desperately releasing accumulated energy.

　　△2007 "Burning Yuanmingyuan" historical painting (color draft) 45cm×80cm paper coloring

　　△ In 2007, the historical painting (sketch) of Burning Yuanmingyuan was colored on 45cm×80cm paper.

　　Treat yourself and others.

　　Li Jinkun studied the development path of many previous painters and modern painting schools, while studying others, he was also thinking about how to deal with himself. He believes that if a person wants to learn to be self-sufficient, he must understand his role in society, where he can reach, and how to be self-sufficient in the corresponding position. "The place seems to be for yourself, and it will actually affect the surrounding area. Everyone can do his own thing perfectly, because he knows the cold and the hot. It is difficult to do the same to others. How to treat people and things with a self-centered attitude may be the biggest test for me. Pushing yourself and others, I think it is the highest realm of China cultural people’s self-care and life. "

　　Li Jinkun cited a fable as an illustration. For example, if a plasterer wants to make a doorway, how to grasp the size? First of all, if you can walk in yourself, others can walk in. This is the working spirit and principle of a plasterer. Confucius said, "Don’t do to others what you don’t want others to do to you." On this principle, it means treating others with yourself.

　　He also cited his other party’s leisure chapter "waking up three provinces" as evidence. "Three provinces, that is, ask yourself: How about yourself? How do you treat others? What did others do to you, and then what did you do? Especially the last question, if others are friendly to you, you will definitely be friendly. But in case someone is unkind to you, how do you respond? What do you do when others hurt you? Then you can see a person’s realm. The most important thing for people is to ask themselves, which is very interesting. "

　　Creative space as self-world

　　The space switching between public space and private studio also shows that Li Jinkun is constantly moving between the two roles with ease. Li Jinkun’s role as a "social man" is to rush about in the workplace and serve the art industry and the public. When he returned to his studio, he entered a quiet world of himself. He returned to the "ego" side, cooking and cleaning the house. He not only painted wonderful sketches, but also painted large-scale creations, and even created a series of installations, sculptures and other works of art, and made many exaggerated attempts, being casual and unconstrained. He once again became a jittery artist, a painter who struggled with himself and pursued perfection in front of drawing paper.

　　△2015 Pearl River Story 120x175cm paper ink heavy color

　　Over the past few years, Li Jinkun has really worked very hard for Guangdong fine arts. A series of national exhibitions of great significance, the study of individual art cases and the collation of artistic historical materials, the vigorous growth of artistic seedlings, and the birth of academic and award-winning works & HELIP; … There are also the construction of colleges and universities, the implementation of the new campus in Foshan, the acquisition of doctoral degree authorization points, etc., all of which have a profound impact and continuous development, and also constantly establish Guangdong’s cultural self-confidence and enhance the status of Guangdong fine arts in the country.

　　As for Li Jinkun himself, he seldom participates in social activities, personal publicity and holds a solo exhibition. He said that artistic creation is a lifelong matter, and great painters are chosen by time and history. It doesn’t count if they say it themselves, and it doesn’t count if they find someone to say it. If the people behind really want to talk about me, it will be enough to say, "Li Jinkun really did some meaningful things and painted well.".

　　△ Li Jinkun-tang style Song Yue-173cmx416cm-made in 2002

　　This is Li Jinkun. Looking back now, as always, he is honest and wise, keeps his word, is quick to act, persistent and wise.

　　Alawn Li

　　Born in Guangzhou in 1958, Nanhai, Guangdong. At present, he is the vice chairman of China Artists Association, chairman of Guangdong Federation of Literary and Art Circles, president of Guangzhou Academy of Fine Arts, honorary chairman of Guangdong Artists Association, former president of Guangdong Painting Academy, curator of Lingnan Painting School Memorial Hall, professor and doctoral tutor; Distinguished professor of Jinan University is a first-class artist.

　　Propaganda and ideological and cultural work is related to the future and destiny of the party, the long-term stability of the country, the national cohesion and centripetal force, and it is an extremely important work. The General Secretary of the Supreme Leader made important instructions on propaganda and ideological and cultural work, emphasizing the primary political task of "focusing on arming the whole party and educating the people with the Party’s innovative theory". We should adhere to the guidance of Socialism with Chinese characteristics Thought of the Supreme Leader in the new era, fully implement the spirit of the 20th Party Congress, thoroughly study and implement the cultural thought of the Supreme Leader, focus on the primary political task and do a good job in propaganda and ideological and cultural work.

　　Effectively link historical experience with the requirements of the times. The Communist Party of China (CPC) is a Marxist political party armed with scientific theories. Looking back on the course of the Party’s struggle, we can find that one of the important reasons why our Party has been able to create new glories through constant hardships and hardships and become more energetic after a hundred years of vicissitudes is that our Party has always attached importance to building the Party with ideas and strengthening the Party with theory, and insisted on arming the minds of party member cadres and educating the broad masses of the people with the Party’s innovative theories in various historical periods of revolution, construction and reform. In the course of struggle, our party has accumulated rich experience in strengthening theoretical armed forces, forming our party’s fine tradition and remarkable advantages. In the new era and new journey, the great changes that the world has never seen in a century have accelerated its evolution, and the great rejuvenation of the Chinese nation has entered a critical period, with strategic opportunities and risk challenges coexisting. To accomplish the primary political task of propaganda and ideological and cultural work, we should better adapt to the requirements of the new era on the basis of inheriting and carrying forward historical experience, do a good job in deepening, internalizing and transforming the study and implementation of the party’s innovation theory, let the party’s innovation theory be more integrated into the mind, and let the whole party and the people of all nationalities unite into "a hard piece of steel" under the banner of the party, bringing together the majestic power of sharing a common dream.

　　Organically unite arming the whole Party and educating the people. General Secretary of the Supreme Leader pointed out: "When Socialism with Chinese characteristics enters a new era, it is necessary to unify its thinking and unite its strength as the central link of propaganda and ideological work." On the new journey, to comprehensively promote the construction of a strong country and the great cause of national rejuvenation with Chinese modernization requires the firm self-confidence, unity and unity of the whole party and the people of all nationalities. The two aspects of arming the whole party and educating the people are closely linked, interconnected and mutually promoted, both for making the party’s innovation theory a powerful ideological weapon to guide the whole party and the people of all nationalities to understand and transform the world, and for inspiring the morale and spirit of the whole party and the people of all nationalities to unite and move forward towards the grand goal set by the CPC Central Committee. We should organically unite arming the whole party with educating the people, and we should go ahead in arming the whole party. Party member and cadres can only integrate theory with practice and enhance their persuasiveness and appeal when they first understand and practice the Party’s innovative theory and publicize and explain it to the masses. It is necessary to closely combine inner-party study and education with publicity and education of the whole society, so as to arm the whole party, promote the education of the people, strengthen the theoretical arm of the whole party in educating the people, and constantly consolidate the common ideological foundation of the United struggle of the whole party and the people of all ethnic groups throughout the country.

　　Combine both learning and practice organically. The General Secretary of the Supreme Leader pointed out: "Empty talk about making mistakes in the country, doing practical work to revitalize the country, one point for deployment and nine points for implementation." To arm the whole party and educate the people with the Party’s innovative theory, we should persist in applying what we have learned, and attach importance to both learning and practicing the Party’s innovative theory. To publicize the ideological and cultural front, we should improve our ideological understanding, profoundly understand the great significance of focusing on the primary political task, earnestly enhance our sense of responsibility and mission, work hard on basic and strategic work, work hard on key points and harmful points, work hard on the quality and level of work, and constantly promote the party’s innovative theory to take root and blossom. Adhere to innovation, constantly promote innovation in ideas, means and work, and promote the party’s innovation theory to go deeper into the grassroots. Seize the "key minority" of leading cadres, drive the "overwhelming majority" with the "key minority", and promote the unity of thinking, will and action of the whole party. We will improve the armed system of party member Theory for young cadres and young people, and educate and guide the younger generation to consciously be firm believers, active communicators and loyal practitioners of Socialism with Chinese characteristics Thought in the new era.

　　(Author: Nantong University)

Special feature of 1905 film network 、、、、、、。Almost half of Hong Kong’s films have been put together, which is unprecedented and has become a swan song.

Everyone shoots a short film, uses film to focus on an era and tells a story about Hong Kong’s feelings.

How to call them together, how to allocate time and how to shoot them? In this regard, we interviewed the producer of "Band of Seven" exclusively, and looked at the seven directors from her perspective, revealing the whole process of film organizing.

An exclusive interview with producer Zhu Shuyi on the 1905 movie network.

Coincidentally, Zhu Shuyi is also the producer of a hot Hong Kong film in the summer, and the box office of the film has now approached the 700 million mark, with a bright performance.

A Hong Kong-style blockbuster action movie, a collection of Hong Kong directors’ feelings, Zhu Shuyi managed two very important annual Hong Kong films this year.

Although the box office of "Band of Seven" is bleak, especially under the market crush of the same blockbuster, the current film schedule is only 1%. Regardless of the box office, Zhu Shuyi firmly believes that "creative expression is the first".

In this interview, for the first time, she disclosed many unknown inside stories of two films.

About "Band of Seven": Tsui Hark privately changed his contract with Lin Lingdong; How Xu Anhua is loyal to Tsui Hark; Before Lin Lingdong died, he agreed to make another film with the "Iron Triangle" Tsui Hark and Du Qifeng … …

About Detective Wars: the possibility of making a sequel; The feedback from Ah Sa’s sisters who "braved the wind and waves"; Views on being shortlisted for next year’s Academy Awards … …

Since entering Galaxy Image in 2002, Zhu Shuyi has followed Du Qifeng and directed all the films made by Galaxy Image. As CEO of Galaxy Image, she also revealed the latest progress of the new film "Watching Red Light with Eyes Covered" and the latest situation of Du Dao’s new film that fans are looking forward to.Everything you want to know is here.

(The following is Zhu Shuyi’s self-report, compiled by 1905 Film Network according to the interview content)

Band of Seven was born to commemorate the film.

Seven directors abide by three conditions.

The idea of "Band of Seven" came entirely from director Du Qifeng, because the director of their time experienced the era of film, and he felt that there was almost no film to make a movie, so he wanted to make a souvenir.

The second thing he wants to express is the spirit of teamwork, which he hopes can drive a new generation of filmmakers or other peers.

The time when this project was proposed is probably around 2012 and 2013. Why did you choose these seven directors?

I think when Du Dao first started to invite, he must be the best friends around him, such as "Iron Triangle", Tsui Hark and Lin Lingdong. Choose Sammo Hung and Yuan Heping, because they are representative Hong Kong action film directors. Then there is the female director, and it must be Xu Anhua. Tan Jiaming is not a prolific director, but many Hong Kong film students learn from him, and all the film students in Hong Kong know Tan Jiaming.

The invitation process is very simple, that is, make an appointment together, chat together and promise together. They know very well why Du Dao wants to do it, but they are very frank and don’t say anything.

There are three conditions that they must abide by when making this project. The first is to shoot with film, and the second is to talk about the feelings of Hong Kong. How to express Hong Kong’s feelings? It’s better to shoot an era for everyone, but how to shoot that era? Finally, it was decided that from the 1950s, we would draw lots to choose which one to draw and which to shoot.

But if you don’t want to shoot at that time, you have the right to exchange with other directors in private. If the other director is willing to change, you will change, otherwise you will admit it. In a word, you can shoot whatever you want, but you must shoot something related to Hong Kong. Your personal feelings about that era are very free to create.

Tsui Hark changed his signature to "spoil the game"

Lin Lingdong refused to exchange the reply "No Way!"

When drawing lots, only four directors came to the scene. I put the little card’s sign on the table, and everyone took their seats when they arrived, but the position that was not there was empty. Then everyone opened the sign, and I turned it in his position if I didn’t arrive, which represented that era.

When I finished, I had to report to other directors who didn’t attend, so I told director Tsui Hark which year he won, and he had a great reaction. He said how did you smoke just now? What’s the form of drawing lots? Who can monitor the whole lottery form? How did I get this? Anyway, he really doesn’t want this sign.

He said I want to change, and you help me tell Lin Lingdong that I want to change with him. I called director Lin Lingdong, and director Lin Lingdong replied with two words, "no way", which is impossible. I told director tsui hark, and he said, well, forget it, then I’ll figure it out myself.

After that, he didn’t inform me who to change the age with. It took me a while to know that he was a very, very smart director. He said that I wouldn’t affect any of your ages, and I didn’t need to exchange any ages with you. I filmed the future, so he put himself in the end, which is the future.

Xu Anhua handed in the film the fastest and Tan Jiaming the latest.

The biggest difficulty is that the production budget is too low

The seven directors didn’t have many meetings together, and then they went to create their own works. Because they are very busy directors, and we don’t want to interfere with their original work, we just hope that it will be better and better, and it will be completed in two or three years.

Director Xu Anhua was the first to finish this short film, which was completed in 2014, and the latest one was directed by Tan Jiaming in 2019.

Director Tan Jiaming hasn’t made a film as a director for more than ten years since then. In the process of thinking about this topic, he once doubted whether he could continue, not because he didn’t keep his word, but because he had requirements for his works.

Because he didn’t always stay in Hong Kong and had to teach, he had to transfer to another school one year, and he was worried that it would affect our progress, so he was also the last to finish it.

The biggest difficulty for all directors is that the production budget is too low. The most difficult ones should be directed by Xu Anhua and Sammo Hung. Because they filmed in the 1950s and 1960s, it will be more expensive in art, because it is harder than other directors to make old things or find something old.

We spent a lot of methods and energy to buy the negative. Because of the production budget, it is estimated that the average person will shoot for three days, which is the amount of 12,000 feet of film. In the past, you can reuse or return the film if you can’t finish it. Now you can’t, and you can’t order a new one if you exceed it. Therefore, they will use the negative film more accurately, and they also control it very well.

For a shot of Tsui Hark’s short film

Xu Anhua traveled from Harbin to Beijing to Hongkong the day before.

The whole shooting process was impressed by director Xu Anhua. Director Tsui Hark asked her to play, and Xu Anhua was very helpful.

Director Xu said, you ask director Xu Anhua if she would like to play a role. I didn’t say I would satirize her, but would she be unwilling to play? Director Xu Anhua said no, she could come.

In fact, director Xu Anhua was not in Hong Kong at that time. As a result, in order to cooperate with the filming, she took a three-hour bus to Harbin the morning before the filming, then transferred to Beijing and returned to Hong Kong from Beijing, just to catch up with the filming the next day.

They are like this. You just have to say that you want me to be an actor, and I am duty-bound to solve all the difficulties myself, even if I stay up late and overcome traffic problems.

Just to shoot that shot, this professional and loyal spirit is what we should pay tribute to.

15 days before Lin Lingdong’s death, the "Iron Triangle" had a dinner.

Discuss to shoot a romantic film together and leave the last photo.

Our biggest regret is that director Lin Lingdong is gone. What is really touching is that he handed over this last work. He completely finished all the work and handed it over to us before he left.

I miss him very much today. I will never delete the WeChat between him and me in my life. Sometimes when I look at the information he gave me, I really feel prophetic. It’s strange to say something, but I didn’t expect it at that time.

Moreover, 15 days before he left, we just had dinner together. When director Tsui Hark came back to Hong Kong for dinner that day and finished the last day of the short film, we arranged for the three bosses to have dinner together.

During the dinner, I also asked the three of them to take a group photo, because it was Christmas, and all three directors said that I was always doing this, and the last thing they liked was taking pictures. At that time, I said let’s shoot it, because the three of you seldom get together. Sadly, the original one was the last photo of them.

In fact, they had agreed that they would shoot another new thing and what to shoot. They also talked for a long time, saying that romantic movies "surprise them (the audience) and we will shoot something different", and also said that it was a deal, so it was also a pity.

As far as I know, there was a project in operation before he left, and of course there was no way to finish it in the end.

For me, The Band of Seven is a historical film, unprecedented, because there is no director Lin Lingdong, so it is impossible for seven people to be together, and the tribute to the negative must be the last.

I hope that the audience can feel the strength and spirit of filmmakers, and I hope that no matter whether they are studying movies or are already film workers, they also have this initial heart.

Asa exposed Gillian to watch Detective Wars without looking at her mobile phone.

I am confident that I will be shortlisted for next year’s Academy Awards, and there should be a sequel.

"The Band of Seven" is really a kind of spirit, so "Detective Wars" is a commercial element, and it also allows director Wei Jiahui to make his first independent action film.

Director Du Qifeng hasn’t seen the film yet, and he asked me if I had a ticket for him to see it. Du Dao and Wei Dao have a very friendly relationship. He knows about this project, but that’s all. He didn’t participate. They both respect each other and have independent development, and they have always been in the same spirit.

I remember that Asa’s first reaction after reading it was that she was grateful to the director, and she thought it was very good. Moreover, she has been very excited to tell us that the sisters (teammates on "Braving the Wind and Waves") are very happy.

She said that Gillian sometimes didn’t concentrate on watching movies, and she used to play with her mobile phone at first sight. She said that she had never seen this best friend, and she didn’t take her mobile phone out at all when watching this movie.

Will there be a sequel to Detective Wars? I think besides Wei Dao, the most important thing is the boss. Bosses should all want to have two or three editions, so please look forward to it closely. There should be, I hope there will be.

You asked me if I was confident that Detective Wars would be selected for the Hong Kong Film Awards next year. I should be confident. There are still movies behind, and there are many good movies. Depending on everyone’s tastes, our performances or our scripts, I hope to be shortlisted and get good grades.

"Watching Red Light with Eyes Covered" has been submitted for trial.

I’m called "old actor" on the set.

In the past two years, Director Du has often said that no matter the main creator, production team or actors, they need to be younger and support the creation of young people.

Our next new film "Watching Red Light with Eyes Covered" (formerly known as "Red Light with Eyes Covered") was created by the creative director, and Du Dao, the director and I were the producer. With the new generation of directors making movies for the first time, we made such a sentimental film.

Several children in the movie are great. Rong Zishan is more sophisticated, and Milla is a little newer. I like Milla very much. She works very hard and has a lot of temperament. At that time, director Lawrence Ah Mon and I were casting in Beijing for a long time. I think she has a bright future. Needless to say, Rong Zishan, I called him an "old actor" at the scene, which is already very powerful, let alone now.

The story background of "Watching Red Light with Eyes Covered" is in the mainland of China. I won’t get into the details first. Its feelings are in a region and a street in the mainland. It is a relatively short and literary film. Now it is in the stage of submitting the film for review, waiting for notice.

We have a review of the defeat

Ask Du Qifeng every day, do you have any ideas for the new film?

The last movie shown in the mainland on Galaxy Image was My Boxing Boyfriend. We know very well why we want to create this movie. As for the audience’s taste and market box office, we have no control.

It is possible that the audience is not so receptive to the unrealistic way and style in the movie. We did it on purpose, but it is also true. We tried our best, and everyone was very attentive at that time, but we will also review what problems have arisen and what we can do better in the future.

In fact, Du Dao and Wei Dao often say that they have made a lot of movies that are not necessarily very good at the box office. Maybe in a few years, everyone will experience different places after watching them again.

"Gorgeous Office Worker" and "My Boxing Boyfriend" all have song and dance elements. At present, I haven’t heard that director Du Qifeng has continued to plan this type of film. He has been preparing a new film in his mind, but I dare not rush him, because I don’t want to be scolded, but I will ask him every day. Have you thought of it? Have you got it?

Over the years, Du Dao often said that at this age, it is time for him to do whatever he wants. The style of Galaxy Image is unimaginable. When he suddenly comes up with an idea, we will do our best to carry out the task.

Du Dao often said not to become an "old smooth", and the future image of the Milky Way will follow this pace. Some people will cooperate together. I believe there must be this blood spirit, even if you don’t frame your own ideas, you must have new people.

The present situation of Hong Kong films has been greatly affected and impacted by the unprecedented difficulties caused by the epidemic. As filmmakers, we just keep our initial intentions, keep our enthusiasm and keep our persistence. As long as I don’t give up, I don’t think there is any so-called low tide. It’s nothing. Let’s move on.

　　CCTV News:June 9— On the 10th, the 18th meeting of the Council of Heads of State of the Shanghai Cooperation Organization was held in Qingdao. This summit is the first summit held after the expansion of the SCO, and it is also the second major home diplomatic activity in China this year.

　　On the 10th, the Chairman of the Supreme Leader presided over the meeting and delivered an important speech.

　　On the afternoon of the 10th, leaders of SCO member states met with reporters together, and the Chairman of the Supreme Leader delivered an important speech to introduce the results of the summit. The summit issued the Qingdao Declaration of the Council of Heads of State of the Shanghai Cooperation Organization and the Joint Statement of the Heads of State of the Shanghai Cooperation Organization on Trade Facilitation, and approved the implementation outline of the Treaty on Long-term Good-Neighborliness, Friendship and Cooperation among the Member States of the Shanghai Cooperation Organization in the next five years. The parties also reached "six consensuses" on related issues. (Click for details: What achievements did Shanghe Qingdao Summit achieve? The supreme leader mentioned "six consensuses")

　　In a series of important speeches delivered by the Chairman of the Supreme Leader at the Qingdao Summit of the Shanghai Cooperation Organization, what are the new explanations? What signal did it reveal? What impact will the series of results of the summit have on the current world situation?

　　Interpretation of CCTV

　　A series of speeches by the Chairman of the Supreme Leader not only judged the general trend of the world and the trend of the times, but also made suggestions for the development of the SCO, and actually put forward China’s plan for international hot issues.

　　Climbing high and looking far: the supreme leader first puts forward the "five views" of joint development

　　The world today is in a period of great development, great change and great adjustment. In order to avoid being confused by appearances, President Xi emphasized that we must climb high and look far in order to correctly grasp the general trend of the world and the trend of the times. China emphasizes that the theme of peaceful development remains unchanged and the international order is developing in a more just and rational direction. At the same time, China is soberly aware that there are complex challenges in politics, economy, security, culture and many other fields, and building a community of human destiny has a long way to go.

　　"Shanghai Spirit" is the core concept of SCO development. At the same time of "Do not forget your initiative mind", we should give the "Shanghai Spirit" updated connotation of the times. President Xi delivered a speech at the large-scale talks of Shanghai-Shanghai Qingdao Summit.This paper comprehensively expounds the development of Shanghai Cooperation from the perspectives of development concept, security concept, cooperation concept, civilization concept and global governance concept.

　　The development concept of innovation, coordination, green, openness and sharing is an important part of China’s 13th Five-Year Plan. The SCO cannot solve the development problems and narrow the development gap without the guidance of this development concept.

　　The concept of common, comprehensive, cooperative and sustainable security is an important idea put forward by President Xi in 2014, which has become the basis of SCO’s security cooperation.

　　The cooperation concept of openness, accommodation, mutual benefit and win-win is the magic weapon for Shanghai Cooperation to cope with the countercurrent of economic globalization and oppose trade protectionism.

　　The concept of civilization of equality, mutual learning, dialogue and tolerance is the concrete embodiment of implementing the goal of "Shanghai Spirit" and respecting diverse civilizations.

　　Adhering to the global governance concept of discussing, building and sharing has strengthened the contribution of Shanghe development to the building of a community of human destiny.

　　Qingdao is a world-famous "sailing capital", from which many ships set sail and pursued their dreams. Qingdao Summit became the starting point for the SCO to set sail again.

　　Qingdao Summit affirmed the new development of the organization after India and Pakistan joined.The expansion shows the attraction of the SCO’s concept, spirit and achievements.. The addition of new members also adds impetus to the development of the organization. However, the expansion of membership has also increased the complexity of establishing and developing mutual trust among member States. SCO members still need to abide by the purposes and principles of the Charter of the Shanghai Cooperation Organization, uphold the "Shanghai Spirit" and consolidate unity and cooperation, so that the positive effects of membership expansion can be better brought into play.

　　In his speech to reporters with the leaders of SCO member States, the Chairman of the Supreme Leader summed up the results of the summit with "six consensuses", which shows that all member States have found the greatest common denominator of cooperation on the road of pursuing peaceful development and provided a "model" and useful reference for the cooperation of other organizations in the world.

　　Expand international exchanges and cooperation beyond security, economy and humanities.

　　While promoting the development of the three "wheels" of SCO member States’ security, economy and humanities cooperation, Qingdao Summit regards expanding international exchanges and cooperation as the fourth "wheel" of organizational development.. Representatives of international financial institutions such as the International Monetary Fund and the World Bank attended the Qingdao Summit, which not only reflected the increasing influence and attraction of the SCO, but also once again demonstrated the sincerity of organizing open cooperation.

　　China made outstanding contributions to the development of the organization during his tenure as the chairman of Shanghai Cooperation Organization. In the future, the SCO’s stability and far-reaching development will still depend on China’s wisdom and China’s plan.

　　Su Xiaohui, Deputy Director of the Institute of International Strategy, China Institute of International Studies.

Coal is also called "black gold" and "industrial grain". Coal is particularly important to China, accounting for about 94% of the proven reserves of fossil energy resources in China. Coal is related to a fire, a lamp and electricity in the homes of ordinary people, and it is also related to national industrial production, energy security and economic lifeline.

On January 27th, General Secretary of the Supreme Leader visited Shanxi Ruiguang Thermal Power Co., Ltd., and delivered a clear signal on promoting the work of "double carbon" and implementing energy supply guarantee.

The coal of Sanjin lit up China.

Shanxi, China’s largest coal-producing province, accounts for a quarter of the national total for a long time, and more than 70% is supplied outside the province. Daqin Railway, Shuohuang Railway, Zhongnan Railway, a series of special coal lines, and a series of trains full of coal are like energy arteries, starting from Shanxi and radiating the whole country.

△ A train loaded with coal passes through Pingshun County, Changzhi, Central South Railway. The Central South Railway starts from Lvliang, Shanxi Province in the west and ends at Rizhao Port, Shandong Province in the east. (Photo/vision china)

Last year, Shanxi’s annual coal output reached 1.19 billion tons, ensuring coal supply for 16 provinces, autonomous regions and municipalities across the country. Someone once described Shanxi’s contribution to the whole country with "lighting half the lights in the whole country and burning half the kang in the north".

Due to excessive dependence on coal and extensive mining, Shanxi’s industrial structure was unbalanced, its ecology was seriously damaged and its economy once declined.

In May, 2020, General Secretary of the Supreme Leader pointed out during his inspection in Shanxi that "Shanxi once had a monopoly on coal, prospering from coal but also trapped in coal. The economic structure was too single, which seriously damaged the natural ecology and once had a bad influence on the political ecology, and the lesson was very profound."

Take a new road "phoenix nirvana"

The transformation of resource-based economy is a world problem. What about Shanxi? How to transfer?

In 2010, Shanxi Province’s national comprehensive reform pilot zone for resource-based economic transformation was established, which is the first provincial, all-round and systematic national comprehensive reform pilot zone in China. This reform was put forward by the supreme leader in Shanxi in 2009. He said: "I am always concerned about this matter."

△ In May, 2020, the Supreme Leader visited the Shanxi Transformation Comprehensive Reform Demonstration Zone. (Photographed by CCTV reporter Zhang Xiaopeng)

In May 2019, the General Secretary of the Supreme Leader presided over the meeting of the Central Committee for Deep Reform, deliberated and adopted the Opinions on Carrying out the Pilot Project of Comprehensive Reform of Energy Revolution in Shanxi, and supported Shanxi to strive to be the vanguard of the national energy revolution through the pilot project of comprehensive reform.

In May, 2020, when the General Secretary visited Shanxi, he pointed out that Shanxi should have a sense of urgency and a long-term strategic plan to build a demonstration zone for comprehensive reform in transformation. If it is correct, it must persist, make contributions for a long time, don’t repeat it, don’t toss it around, and strive to carve out a new path for transformation and development as soon as possible.

Dare to be the first, phoenix nirvana. During the "Thirteenth Five-Year Plan" period, Shanxi accumulated 156.85 million tons of excess coal production capacity every year, exceeding the target task of de-capacity. Last year, Shanxi’s advanced coal production capacity exceeded 75%.

The goal of "double carbon" has undergone profound changes.

Although the proportion of coal consumption in China has been declining in recent years, it will still be the basic national condition of China’s energy.

In September last year, General Secretary of the Supreme Leader stressed during his inspection tour in Shaanxi that coal, as the main energy source in China, should follow the development direction of green and low carbon, achieve the goal and task of peak carbon dioxide emissions and carbon neutrality by benchmarking, base on the national conditions, control the total amount, control the bottom line, orderly reduce and replace, and promote the transformation and upgrading of coal consumption.

△ In July 2021, in Xinyan Coal Mine, Zhongyang County, Shanxi Province, workers inspected the underground working face. (photo /IC photo)

At the Central Economic Work Conference at the end of last year and the recent World Economic Forum video conference, the Supreme Leader emphasized twice that it is impossible to achieve peak carbon dioxide emissions and carbon neutrality in one battle. When presiding over the collective study in the Political Bureau of the Central Committee a few days ago, the General Secretary once again pointed out that we should base ourselves on China’s energy resources endowment, adhere to the principle of establishing first and then breaking, and make a comprehensive plan. The gradual withdrawal of traditional energy sources must be based on the safe and reliable substitution of new energy sources.

Grasping the rhythm and intensity of carbon reduction reflects seeking truth from facts, step by step and continuous efforts.

Energy supply is "the biggest in the country"

I will read the worries of the people; I will do what the people expect. At the end of the year and the beginning of the year, the general secretary was concerned about the safety and warmth of the people. At the Politburo meeting of the Chinese Communist Party meeting in early December last year, he specifically told us to make overall arrangements for ensuring the supply of coal, electricity, oil and gas transportation, so as to ensure that the people would spend the winter warm.

The general secretary once pointed out that energy security is an overall and strategic issue related to the country’s economic and social development, and it is vital to the country’s prosperity and development, the improvement of people’s lives and the long-term social stability.

△ Shanxi Ruiguang Thermal Power Co., Ltd. is one of the main heat sources of central heating in Taiyuan and Jinzhong, and was awarded the title of "National Demonstration Power Station for Energy Saving and Emission Reduction of Coal-fired Power". (Photographed by CCTV reporter Fan Kai)

The CPC Central Committee attaches great importance to the work of "six guarantees" and "six guarantees", and "ensuring food and energy security" is one of the "six guarantees". At the Central Economic Work Conference at the end of last year, General Secretary of the Supreme Leader pointed out that to ensure energy supply, large enterprises, especially state-owned enterprises, should take the lead in ensuring supply and stabilizing prices.

On the 24th of this month, when presiding over the collective study in the Political Bureau of the Central Committee, the General Secretary not only stressed the need to resolutely control fossil energy consumption, especially strictly and reasonably control the growth of coal consumption, but also stressed the need to consolidate the domestic energy production base and ensure the safety of coal supply. This consideration is based on the long-term and warm people’s hearts.

△ Shanxi Jinzhong. (Photo/vision china)

Coal is one of the earliest energy sources recognized and utilized by human beings. It lights a fire to dispel the cold in winter; It lights a lamp to light the way forward; It sends a cavity electricity and acts as a great power.

Looking forward to the future, the coal that has completed the "butterfly change" in the energy revolution and green transformation will support the magnificent journey of high-quality development together with new energy and clean energy.

Producer: Shen Yong Zhao Xuehua Gong Xuehui

The main author is Randy.

Broadcast about Yao Ke

How long is audio production?

Editor-in-Chief Yu Zhenyi

Visual sense, Chen Kuo, Zhang Jing

Editor Wang Zun

　　

Xiaolong crawled into class and said hello to his classmates.

Xiaolong lives in such sunshine every day (Cheng Shi/photo)